Solistes vocaux

Hasnaa BENNANI - Soprano

« Hasnaa Bennani, interprète du jeune Oberto, est une belle surprise : timbre superbe, beau legato, justesse d'émotion...»
Jean-Michel Pennetier, forumopera.com - Tournée Alcina avec Accademia Bizantina & Philippe Jaroussky, février 2016.

« Comment ne pas apprécier la fraîcheur et la grâce de cette voix facilement émise, ce timbre clair et lumineux ? La soprano marocaine chante comme elle respire, avec l’élégance qui sied au style français »
Michel Parouty, Opéra Magazine - CD Rameau & Courbois récompensé de 5 clés Opéra Magazine.

« Confirmation d'Hasnaa Bennani, remarquée en Corisande d'Amadis avec Les Talens Lyriques, qu'il nous tarde de voir tenir des emplois à sa mesure – une Créuse, une Aricie... [...] La soprano marocaine sait pourtant son Rameau, le phrase exquisément, le colore de telle manière qu'il se trouvera peu d'oreilles pour y résister. Une sirène. »
Ivan Alexandre, Diapason Magazine - CD Rameau & Courbois.

 

A Moroccan soprano, Hasnaa Bennani began her musical journey in Rabat with her sister Jalila Bennani and Laszlo Fodor, her violin teacher. She gained a diploma from the Paris Conservatory in the class of Glenn Chambers and took advanced classes in early music with Howard Crook and Isabelle Poulenard.

In 2011, Hasnaa Bennani won First Prize in the competition for baroque singing in Froville. She has collaborated with many established groups including La Grande Écurie et La Chambre du Roy (Jean-Claude Malgoire), Le Poème Harmonique (Vincent Dumestre), Les Musiciens du Louvre (Marc Minkowski), Les Talens Lyriques (Christophe Rousset), Les Muffatti (Peter Van Heyghen), Le Concert Spirituel (Hervé Niquet), Le Palais Royal (Jean-Philippe Sarcos), La Rêveuse (Benjamin Perrot and Florence Bolton), Les Ambassadeurs (Alexis Kossenko), Akadêmia (Françoise Lasserre).

In opera, she has sung the role of Al-Faïma in Dubois’ Aben-Hamet at the Atelier Lyrique in Tourcoing, La Neige and Le Printemps in La Chouette Enrhumée by French composer Gérard Condé at Metz Opera, a water-nymph in Lully’s Armide at Lorraine National Opera in Nancy, Cléone and Une Ombre Heureuse in Castor and Pollux by Rameau successively with Le Concert Spirituel at the Théâtre des Champs-Elysées and with Les Talens Lyriques at the Théâtre du Capitole in Toulouse.

Hasnaa Bennani has formed a duet with French harpsichordist Laurent Stewart, with whom she has been invited to sing in prestigious festivals such as the Festival of Saint-Michel-en-Thiérache, Sinfonia in the Périgord, The Radio France Festival in Montpellier.

In her discography, mention should be made of Couperin’s Leçons des Ténèbres with Le Poème Harmonique (Alpha), Amadis by Lully (role of Corisande) with Les Talens Lyriques (Aparté). Forthcoming releases include Zaïs by Rameau (role of Amour) with Les Talens Lyriques (Aparté), a disc of French cantatas (Rameau, Courbois) with the Ensemble Stravaganza (muso) and a disc of opera arias by Handel with Les Muffatti (Ramée).

Her projects for the 2015-16 season include many concerts: Bach’s Markus Passion at the Festival of Ambronay with Le Concert Étranger, the programme De l’Ombre à la Lumière with Pygmalion conducted by Raphaël Pichon at the Alte Oper in Frankfurt, a Handel tour with Les Muffatti (Salle Gaveau in Paris, Charleroi, Ghent, Antwerp...). Hasnaa Bennani will also take part in a Concert for Peace Among Religions at the Château de Chantilly in the company of some prestigious sponsors.

Note also the first performance of Les Éléments by Destouches with the Ensemble Les Surprises, the role of Oberto in Handel’s Alcina with Accademia Bizantina conducted by Ottavio Dantone (Monte Carlo Opera, Royal Opera of Versailles, Halle aux Grains in Toulouse), as well as the role of Belinda in Purcell’s Dido and Aeneas with the Atelier Lyrique of Tourcoing and also at the Théâtre des Champs-Élysées conducted by Jean-Claude Malgoire and directed by Andreas Linos, alongside Nicolas Rivenq and Véronique Gens.

© 'bdllah Lasri

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