General management
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Virginie GOUET virginie@concertsparisiens.fr +331 48 24 16 97 +336 64 85 09 00 |
 |
Yutha TEP ytep@concertsparisiens.fr +331 48 24 16 97 +336 61 88 64 78 |
Eva ZAÏCIK
Mezzo-soprano
Very early on noticed for the beauty and length of her voice, the fullness and flexibility of which allow her to sing Monteverdi as well as Berlioz, Rossini or Tchaïkovsky. In addition, she cultivates a musical diversity favouring the most daring explorations alongside leading musicians. Eva Zaïcik has established herself as one of the most remarkable singers of her generation.
In 2018, when the mezzo-soprano won Second Prize at the Queen Elisabeth Competition, she was also honoured as a Lyrical Revelation at the Victoires de la Musique Classique and with a Second Prize at the Voix Nouvelles Competition. These distinctions only confirmed an already considerable career, which has seen her collaborate with first-class conductors, to name only: William Christie (she was a member of the Jardin des Voix 2017), Thomas Hengelbrock, Vincent Dumestre, Hervé Niquet, Christophe Rousset, Julien Chauvin without forgetting Philippe Herreweghe, Laurence Equilbey, Emmanuelle Haïm, René Jacobs or Alain Altinoglu.
Recently, she performed Carmen and Olga (Eugene Onegin, Tchaïkovsky), Rosina (Il barbiere di Siviglia, Rossini) and Sélysette (Ariane et Barbe Bleue, Dukas) at the Théâtre du Capitole in Toulouse, Vénus in Idoménée by Campra at the Opéra de Lille and at the Staatsoper in Berlin, Vespers for the Blessed Virgin by Monteverdi with the Pygmalion ensemble and Raphaël Pichon in a staging by Pierre Audi, Paulina in The Queen of Spade by Tchaikovsky at the Nice and Toulon Operas in a staging by Olivier Py.
She sang Berio's Folk Songs and excerpts from Mahler's Kindertotenlieder with great success with the Mahler Chamber Orchestra at the Saint-Denis Festival. Eva has also performed Berlioz's Les Nuits d’Eté, conducted by Michael Schønwandt with the Aalborg Sinfonik-orkester, Beethoven's Missa Solemnis with Philippe Herreweghe and the Collegium Vocale Gent, Mozart's Requiem with the Münich Philharmoniker again under the baton of Philippe Herreweghe.
The 2022-2023 season was just as abundant: Eva made her debut at the Theater an der Wien in Belshazzar by Handel under the direction of Christina Pluhar, in a staging by Marie-Eve Signeyrole. She was Lola in Cavalleria Rusticana at the Festspielhaus in Baden Baden under the baton of Thomas Engelbrock (recording for Prospero records). At the Dijon Opera, she impersonated La Sagesse and Lucinde in Armide by Lully under the direction of Vincent Dumestre, in a staging by Dominique Pitoiset.
She maintains a special bond with Justin Taylor and Le Consort around several baroque programs given throughout Europe. This collaboration materialised for Alpha Classics with the CD Venez, chère ombre (2018) and Royal Handel (2021), both of which were elected as a Choc of Classica magazine and the “Choice of the month” by France Musique.
During the 2024-2025 season, Eva Zaïcik performs as Cretidea (L’Uomo Femina, Galuppi, staged by Agnès Jaoui) with Le Poème Harmonique, an ensemble she reunites with for Pergolesi’s Stabat Mater at the Théâtre des Champs-Élysées.
She sings under the baton of Thomas Hengelbrock with the Münchner Philharmoniker in Bruckner’s Mass No. 3, as well as in Beethoven’s Missa solemnis with the Balthazar Neumann Ensemble.
She joins Emmanuelle Haïm for Handel’s Dixit Dominus with the Los Angeles Philharmonic and take part into the reopening concerts of Notre-Dame de Paris.
She also presents Mayrig, her album dedicates to Armenian music (Alpha Classics), at the Philharmonie de Paris and in Aix-en-Provence.
In 2018, when the mezzo-soprano won Second Prize at the Queen Elisabeth Competition, she was also honoured as a Lyrical Revelation at the Victoires de la Musique Classique and with a Second Prize at the Voix Nouvelles Competition. These distinctions only confirmed an already considerable career, which has seen her collaborate with first-class conductors, to name only: William Christie (she was a member of the Jardin des Voix 2017), Thomas Hengelbrock, Vincent Dumestre, Hervé Niquet, Christophe Rousset, Julien Chauvin without forgetting Philippe Herreweghe, Laurence Equilbey, Emmanuelle Haïm, René Jacobs or Alain Altinoglu.
Recently, she performed Carmen and Olga (Eugene Onegin, Tchaïkovsky), Rosina (Il barbiere di Siviglia, Rossini) and Sélysette (Ariane et Barbe Bleue, Dukas) at the Théâtre du Capitole in Toulouse, Vénus in Idoménée by Campra at the Opéra de Lille and at the Staatsoper in Berlin, Vespers for the Blessed Virgin by Monteverdi with the Pygmalion ensemble and Raphaël Pichon in a staging by Pierre Audi, Paulina in The Queen of Spade by Tchaikovsky at the Nice and Toulon Operas in a staging by Olivier Py.
She sang Berio's Folk Songs and excerpts from Mahler's Kindertotenlieder with great success with the Mahler Chamber Orchestra at the Saint-Denis Festival. Eva has also performed Berlioz's Les Nuits d’Eté, conducted by Michael Schønwandt with the Aalborg Sinfonik-orkester, Beethoven's Missa Solemnis with Philippe Herreweghe and the Collegium Vocale Gent, Mozart's Requiem with the Münich Philharmoniker again under the baton of Philippe Herreweghe.
The 2022-2023 season was just as abundant: Eva made her debut at the Theater an der Wien in Belshazzar by Handel under the direction of Christina Pluhar, in a staging by Marie-Eve Signeyrole. She was Lola in Cavalleria Rusticana at the Festspielhaus in Baden Baden under the baton of Thomas Engelbrock (recording for Prospero records). At the Dijon Opera, she impersonated La Sagesse and Lucinde in Armide by Lully under the direction of Vincent Dumestre, in a staging by Dominique Pitoiset.
She maintains a special bond with Justin Taylor and Le Consort around several baroque programs given throughout Europe. This collaboration materialised for Alpha Classics with the CD Venez, chère ombre (2018) and Royal Handel (2021), both of which were elected as a Choc of Classica magazine and the “Choice of the month” by France Musique.
During the 2024-2025 season, Eva Zaïcik performs as Cretidea (L’Uomo Femina, Galuppi, staged by Agnès Jaoui) with Le Poème Harmonique, an ensemble she reunites with for Pergolesi’s Stabat Mater at the Théâtre des Champs-Élysées.
She sings under the baton of Thomas Hengelbrock with the Münchner Philharmoniker in Bruckner’s Mass No. 3, as well as in Beethoven’s Missa solemnis with the Balthazar Neumann Ensemble.
She joins Emmanuelle Haïm for Handel’s Dixit Dominus with the Los Angeles Philharmonic and take part into the reopening concerts of Notre-Dame de Paris.
She also presents Mayrig, her album dedicates to Armenian music (Alpha Classics), at the Philharmonie de Paris and in Aix-en-Provence.
General management
|
Virginie GOUET virginie@concertsparisiens.fr +331 48 24 16 97 +336 64 85 09 00 |
|
Yutha TEP ytep@concertsparisiens.fr +331 48 24 16 97 +336 61 88 64 78 |
