With the depth of her timbre, the equality of her voice, the mastery of her breath, the emotion of her singing and her striking charisma, Rose Naggar-Tremblay has made a stunning entrance onto the musical scene.

Rose began her musical training with the piano and choral singing before taking up classical voice at the age of 12. She continued her studies at McGill University in music and literature and later graduated from the Atelier lyrique de l'Opéra de Montréal. Since 2020, she has been studying with Lena Hellstrom-Farnlof, Director of the Academy of Music and Opera at the University of Malardalen.

Her career was immediately marked by a striking musical openness, with exciting projects and exceptional success in major competitions. Rose went on to win First Prize in the Orchestre Symphonique de Montreal (OSM) Competition, First Prize in the Georges Enesco Competition in Paris, the Canadian Young Talent at Lyrical Young Ambassadors Gala, and the Prize for the best performance of a Canadian work in the OSM Competition with the cycle Healing, which she composed in collaboration with Éric Champagne. In 2022, she was named Revelation Radio-Canada Musique Classique 2022-2023, won Second Prize in the Prix d'Europe 2022, and was awarded the prestigious Fernand Lindsay Career Grant. In the autumn of 2024, she won the Audience Prize at the Premiere Opera Foundation International Vocal Competition in New York.

Her passion for theatre explains why opera is such an important part of her engagements. In 2021, she made a remarkable debut at Sofia Opera in the role of Carmen. In 2023, she made her French debut at Metz and Reims Operas as the Second Spirit in Dvorak's Rusalka and at Munich Opera as the Innkeeper (Mussorgsky's Boris Godunov), in addition to reprising the role of Carmen at the Edmonton Opera. In 2024, she sang La Voix d'en haut (Richard Strauss' Die Frau ohne Schatten) at Toulouse Capitole Theatre and Erda (Wagner's Das Rheingold) at Erfurt Theatre.

An accomplished musician, she frequently devotes her voice to chamber music. In concert, Rose Naggar-Tremblay tackles a vast repertoire, from the baroque era to contemporary works, from sacred masterpieces to major lyrical works. She has been invited to sing Elgar's Sea Pictures, Palmeri's Magnificat, Handel's The Messiah, Vivaldi's Dixit Dominus, Mozart's and Duruflé's Requiem, and numerous Bach cantatas, under such renowned conductors as Yannick Nézet-Séguin, Rafael Payare, Jean-Marie Zeitouni, Jacques Lacombe, Christophe Rousset, and Laurence Equilbey.

An eclectic artist, Rose Naggar-Tremblay is also a singer-songwriter. She recorded her first album of original songs in 2022, entitled Je me souviens à toi, a cross between French chanson and chamber music. In March 2022, she also took part in the recording launch of La nuit est ma femme, an opera by Mathilde Côté based on the life and texts of Jack Kerouac, in which she plays the role of Gabrielle.

The richness of the 2024/2025 season is striking: the title role in Handel's Giulio Cesare at Toulouse Capitole Theatre (Christophe Rousset conducting, Damiano Michieletto directing); a major concert entitled Charlebois symphonic with Montreal Symphonic Orchestra and then Quebec Symphonic Orchestra ; a revival of Carmen at Sofia Opera; the role of Farnace in Mozart's Mitridate with Les Talens Lyriques and Christophe Rousset at La Scala in Milan and Paris Theatre des Champs-Élysées. Rose will return to Les Talens Lyriques for the role of Medoro in Handel's Orlando at Nancy National Opera, Caen Theatre and Grand Theatre of Luxembourg in autumn 2025. Her first solo disc, devoted to the Handel repertoire, will be released on Arion label.