With a voice that marries beautifully with many repertoires, acclaimed moreover for her immense sensitivity and acting skills, Ingrid Perruche's career has allowed her to collaborate with the greatest chefs.

From the beginning of her career, she has approached opera with a diversity of insignia: Lucy (Le téléphone), Larissa (Le premier cercle by Gilbert Amy) at the Opéra de Lyon under the direction of Michel Plasson, and Hermione (Cadmus and Hermione by Lully) at the Ambronay Festival with Christophe Rousset. Jean-Claude Malgoire who immediately entrusted him with the roles of Poppea (Agrippina by Händel) and Almirena (Rinaldo), then Susanna and the Countess (Les Noces de Figaro) and Zerlina (Don Giovanni).

Over the seasons, his repertoire faithfully illustrates this overture from the great works of the Baroque period to more recent masterpieces: Handel (Poppea in Agrippina, Cleopatra in Giulio Cesare...), Gluck (Euridice in Orfeo ed Euridice), Mozart (Servilia in La Clemenza di Tito, Pamina in Die Zauberflöte)... She has of course a special affinity for French music: Lully (Mélisse in Atys, Stenobée in Bellerophon, Clymène in Phaeton...), Desmarets (Bellone in Venus and Adonis), Rameau (Iphise in Dardanus, Mirrine and Memphis in Les Fêtes de l'Amour et de l'Hymen), Destouches (La Reine in Callirohé), Messager (title role or Agathe in Véronique), and Poulenc (La Voix Humaine).
She is a wonderful Mélisande, a role she sings in the piano version (with Alexandre Tharaud, François Leroux and Philippe Cassard) and in the version with orchestra (conducted by Juraj Valcuha and directed by Alain Garichot or Alessandro Talevi at Sadler's Wells Theater in London).

In these productions, she collaborated with such illustrious conductors as Jean-Yves Ossonce, Emmanuel Krivine, Laurent Petitgirard, Alain Altinoglu, François-Xavier Roth and the late Kurt Masur, without forgetting all the great figures of early music - William Christie, Christophe Rousset, Emmanuelle Haïm, Hervé Niquet, Rinaldo Alessandrini, Jean-Christophe Spinosi - and directors such as Fanny Ardant, Yannis Kokkos or Robert Carsen to name a few.

Ingrid Perruche has distinguished herself on all the great French stages, such as the Théâtre des Champs-Élysées, the Salle Pleyel, the Cité de la musique or the Théâtre du Châtelet in Paris, the Operas of Marseille, Rennes, Rouen, Saint-Étienne, Lille, Bordeaux, Nancy, Montpellier, Tours, Caen, Dijon, without forgetting the Royal Opera of Versailles.
Abroad, she sings at the Theater an der Wien, Sadler's Wells Theatre in London, the Grand-Théâtre de Geneva, at the Lausanne Opera House... She regularly appears at the Festivals of Beaune and Ambronay.

Chamber music and more particularly French melody and Lied occupy an important place in her life. She takes part in many festivals in France and abroad where she meets her partners: Olivier Baumont, Philippe Bernold, Alexandre Tharaud, Claire Désert, Emmanuel Strösser, David Selig...

Ingrid Perruche has won several prizes, including the Albert Roussel Prize at the Marmande International Competition and
was named "Revelation Lyric Artist of the Year" at the Victoire de la Musique 2005.

Thanks to her exceptional acting talents, in the current or upcoming season, Ingrid Perruche will "burn up the sta-ge" in works such as Mozart's Le Nozze di Figaro (role of Marcelline, Théâtre du Capitole de Toulouse), La Vie Parisienne d'Offenbach (role of Mme Kimper Karadec, Opéras de Liege), et in the long awaited and new production of Les Enfants Terribles of Philip Glass (role of Dargelos and Agathe, Scènes Nationales of Quimper, Besançon, Dunkerque, at Rennes Opera, at Impérial Theatre of Compiegne and at Atelier lyrique of Tourcoing).