Hailed as one of the finest interpreters of her generation for the beauty of her voice and her intense expressivity, the Italian soprano Francesca Aspromonte graduated with honors from the Mozarteum Salzburg and furthered her studies under the tutelage of Renata Scotto at the Accademia Nazionale di Santa Cecilia in Rome.

Francesca has performed in such prestigious venues as Teatro alla Scala, Carnegie Hall, Théâtre des Champs-Élysées, Grand Hall of the Conservatoire and Zaryadye Hall in Moscow, Opéra Royal de Versailles, Royal Albert Hall, Barbican Centre, Wigmore Hall, Wiener Musikverein, Theater-an-der-Wien, Wiener Konzerthaus, Fundaçao Gulbenkian in Lisbon, Teatro Real de Madrid, Teatro La Fenice, Grand Théâtre de Provence, Philharmonie Essen, Palau de les Arts Reina Sofia.
She sang with renowned conductors such as Zubin Metha, John Eliot Gardiner, Simone Young, Ivor Bolton, Alexander Soddy, Gustavo Gimeno, Manfred Honeck, Diego Fasolis, Ottavio Dantone, Giovanni Antonini, Maxim Emelyanichev, Enrico Onofri, GarcÍa Alarcón, Raphaël Pichon, Andrea Marcon, Gianluca Capuano, Emmanuelle Haïm, Stefano Montanari or Christophe Rousset.

Among her past engagements, it’s worth mentioning the title role in Cavalli’s Erismena at the Festival d’Aix-en-Provence; the title role in Hasse’s Semele at the Innsbrucker Festwochen; the title role in Orfeo ed Euridice by Gluck at the Palau de les Arts in Valencia; the title role in Monteverdi's L'incoronazione di Poppea at Beaune Baroque Opera Festival; Euridice in Luigi Rossi’s Orfeo with Pygmalion in Versailles; the title role in Caldara’s Dafne in Teatro la Fenice; Deidamia in Corselli’s Achille in Sciro at Teatro Real de Madrid with Ivor Bolton; Angelica in Vivaldi’s Orlando furioso at Teatro La Fenice; La Musica and Messaggiera in Monteverdi’s L’Orfeo at the 2015 BBC Proms; the title role in Caldara’s La Maddalena ai piedi di Cristo in Prague with Collegium 1704; a recital at Moscow's Conservatoire's Grand Hall and the title role in Handel's Acis and Galatea at the Zaryadye Hall; Marzelline in Beethoven's Fidelio with Zubin Metha at Teatro del Maggio Musicale Fiorentino; Carlo Celmino the “Primo uomo” in Vinci's Li zite 'ngalera at Teatro alla Scala, as well as Waldvogel in Sir David McVicar's production of Siegfried, again at La Scala.
Francesca also sang the soprano soloist in Bach's Saint Matthew Passion with the Gewandhaus Orchestra in Leipzig as well as numerous recitals dedicated to sacred, operatic or chamber music repertoire.

Francesca recorded for Deutsche Grammophon, Sony DHM, Alpha Classics, Christophorus, Harmonia Mundi, Ricercare, HDB Sonus. Her 2018 debut album for Pentatone entitled Prologue with Il Pomo d’Oro has been worldwide critically acclaimed, as were her following two albums for the same label: Maria & Maddalena with I Barocchisti (among the best recordings of 2022 for Gramophone) and Un'alma innamorata with Arsenale Sonoro (Scherzo's Discos Exceptionales, Musica 5 Stars, Classic Voice's CD of the Month...).
Her latest album (Aparté 2026), Vieni, o Notte, entirely dedicated to Alessandro Scarlatti, with Arsenale Sonoro conducted by Boris Begelman, has been awarded the Diapason d'Or, the Diamant d'Opéra as well as the Amadeus d'oro.

Since 2019, Francesca teaches the performance practice and interpretation of the Italian baroque repertoire at the Royal Conservatory of The Hague in the Netherlands.